(This is unusual most Paris Opera dancers are French and have progressed through the school and company from a young age.) At Sunday’s performance, not one étoile - the company’s highest ranking for dancers - was among the principals, and the central role of Naïla was danced by Sae Eun Park, a sujet, or soloist, who was born in South Korea and joined the company in 2012. The double engagement also means new opportunities for a significant number of younger dancers. It is a testament to the company’s strength (and size) that it can field two full-length ballets simultaneously. Though aspects of these story lines are in the ballets “Ondine,” “La Sylphide,” “A Midsummer Night’s Dream” and “La Bayadère,” they are all found in “La Source,” an almost-forgotten ballet by Arthur Saint-Léon that had its debut at the Paris Opera in 1866.įew traces - apart from the libretto, by Saint-Léon and Charles Nuitter, and the score, by Ludwig Minkus and Léo Delibes - remain of “La Source.” But in 2011, Jean-Guillaume Bart created a version for the Paris Opera Ballet it’s now running at the Palais Garnier while Rudolf Nureyev’s “The Nutcracker” plays at the Opera Bastille. Two women, one earthly and one spiritual, are potential mates for the mortal hero. A magical flower causes people to fall in love. Spirits watch humans make a mess of things, occasionally intervening to beneficent effect. PARIS - A beautiful water sprite falls in love with a mortal man, but that love leads to her death.
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